Jahanghir Miah's DJ BOOTH PROFILE

“This track does not possess the hard-hitting street sound of Game’s last single, ‘Red Nation.’ Instead, simple guitar strumming and a gentle beat carry the song, making it a likely candidate to cross over and connect with pop audiences. Ironically, Game raps about getting out of the game, giving up his rap career and going on “a quest to find peace“. A sensitive, introspective message from Game? I for one am very pleasantly suprised. I can't wait for The Game’s ‘The R.E.D. Album to be reeased on August.”

“Productions on point here with it's minimalist, relaxed vibe. MDMA's vocals are a nice touch an a lot less commercial than anything you might have heard from him on LASERS. Lupe's verse is pretty good and Big Boi brings some great energy to the track. Trae, Wale and Wiz's verses are all decent enough but hardly memorable. Trae's voice is certainly distinct an in a good way. All the rappers in this track went in HARD, its hard to chose one over the other.”

“Cool, this song is fresh off the streets!. After "Hustle Hard", Ace Hood slows it down with “Body 2 Body"...... simply put its a perfect transition between the two tracks. Chris Brown seduces the sexy J.U.S.T.I.C.E. League production, promising fireworks in the bedroom. Ace Hood has really stepped it up in terms of his flow and lyrics: “Bet if I hit your spot, I’ll make you tsunami””

“The track is very engaging, with a very tenacious beat which is simply off the HOOK. T.I. raps his ass off, which is the mode he is normally in when he’s not doing duets about being a changed man. B.o.B's chorus is very catchy and fits perfectly with this track. As usual The Runers have made another hit AGAIN. WELL DONE T.I !!!”

“The production on this track is great and to be admired for by any producer or rap artist. Wayne is still spittin fire even though they tryna lock him up, HIS PUNCHLINES IN THIS TRACK ARE OUT OF THIS WORLD. Drake's lyrics are improving in every tracck he seems to sing, there is no doubt he is going to be a legend, its just when. keep it up wayne and good luck to the entire Young Money group.”

“This album is full of club-ready hip-hop, driven by bumping beats and nightclub loving lyrics, the chrome-domed rapper aims to deliver a smash single on every track, and damn near succeeds. All in all I am very impressed with what Pitbull has brought to the table this time around, and I hope that he will continue to release music of this standard in the future. There are one or two disappointments on the album but overall the quality of the final product makes up for a miss here and there. As a whole there is not much to complain about and I have to commend Mr Worldwide for providing a solid album, fitting to the sound dominating the world in 2011.”

“This is Beyoncé’s best original work to date. This is an amazing R&B/Hip-Hop album, and that Houston flare Beyoncé portrayed during her Dangerously In Love era has NOW re-emerged. Although aggressive shouting and over-singing showed up frequently, it isn’t unbearable. Beyoncé’s ability to control the so cold screams have become a distinctive trait of hers anyways. Beyoncé slips from flirty to fragile to fabulous, and is in terrific voice throughout, reminding us that when she opens up there's no-one else in the game.”

“We get Wayne spouting classic Weezy-isms—explicit sex, cartoonish gunplay, and allusions to the intricacies of the digestive system abound—over at-least-decent original beats. there's a lingering sense that the rapper is not in top gear; his flow is often slow and static, his wordplay lively yet less energized than what we're now used to”