Sons of Ireland's DJ BOOTH PROFILE

“How appropriate that the sound has an epic feel to it in accordance with the title, "Director's Cut." It feels very complete, like an end credit song that wraps up a finely directed film. There is definitely a sense of immense, colossal passion. Wanting something so badly that nothing will stop you. And I think when the sound of the song can accomplish that foundation, what follows is a exquisite display of craftsmanship. His delivery was on point, lyrics brought an inspirational vibe, and execution was dead on. I agree with someone that said that the vocal could use more emotion. He did sound a bit monotone to be honest. The song is dope.”

“The piano is very 36th Chamber-esque to me. Hehe, the hook is on fire. Such a good counterpart to the face-paced, blazing delivery of Jansen. He pays so much attention to the right pause, the right stress, and how much to tweak in between. I'll tell you, this guy is hungry for sure. You can feel the hunger from his passionate, almost furious approach to each line. Biting, spitting, really challenging the mic and himself and match his effort to equally fantastic production. A well-trained student of the art of hip-hop indeed. Can't wait for more.”

“What the hell is that? Harp? I don't care, the beat is money. I do have a bit of a soft spot for electronica, and when the beat sets the vibe of the song, I am in. The aura envisioned by the beat is like a shining star on a northern sky. It doesn't hurt that Eversole is representing A-town (hell yeah!), and he brings that dirty south club flow to the almost ethereal sound. And goddamn, just when you thought this shit couldn't get more ill, the female vocal accentuates the overall tone of the song even more. A sublime blend of masculine and feminine sound. Ying and yang at its best. Banger for sure.”

“All I can say is, "Oh, shit, Chino XL!" It's got that classic hip-hop feel to it. Vintage, laid-back, and just right. The beat is orchestrated beautifully by all three rappers. Celph kills it for sure. I just loved the collaborative effort that came from all of them. Solid, solid, solid. Flowing like a river. These three sound like veterans who've done what they're doing for so long they make it sound casual. A trio nailing their delivery. Who can argue with that, right?”

“Nothing much to say here as others have already said the beautiful delivery. It's like he's not even rapping... it's so natural it sounds like he is literally talking... The only issue I have is the chorus, and that is a minor complaint. It does have that getting sucked into the depths of the ocean after you've hit the surface from jumping. A slow, trippy, psychedelic jump. As DJ Brookllen mentioned lol. Sit back, chill, and let this man take you on a flowetric journey.”