H.'s DJ BOOTH PROFILE

“I agree wit DJ Z... This is classic. Add a deep voice and you'd swear this was a 2012 Barry White "Can't Get Enough of Your Love, Babe" infused with some Teddy P and Marvin Gay”

“This is like a modern day "Heaven I Need a Hug." The melodies, hums, ripples, and the literal meaning of the lyrics resonate with what he was going through. How many people would you love to just say "shut up" to Yes I'm talking to you. This is GREAT way to say shut up to all these folking running them mouth. @DJZ I disagree with the pot shots at Usher. Sounded more like he was adding something catchy to bring listeners in and remind them of who he is as the track concludes.”

“This thing is smooth as hell. R. Kelly is like the finishing touch and brings it out. Pay attention to the his harmonies”

“Great ballad to showcase Jennifer's vocals. R. Kelly's pen game is always on point when he writes for other artists.”

“@Fuego89 it's supposed to be that way. It's the G-mix... the song is not meant for making love but to get down to 'adult' activities. Lloyd came through and Kellz took it over the top”

“This is pure R&B music... R. Kelly went straight heart throb on this. On 'How Do I Tell Her?' he's channeling Sam Cooke and may be one of the more underrated tracks. The way he was able to invoke some of the great singers is beyond genius... 'Taxi Cab' and Not Feelin' The Love are MJ; 'Just Can't Get Enough' is Marvin Gaye; 'When A Woman Loves' is Jackie Wilson and maybe some Otis Redding; 'Love Is' is Marvin and Tammi Terrell; 'Music Must Be A Lady' sounds Donny Hathaway but Kellz revealed it was in the spirit of Marvin Gaye; 'Number One Hit' - sounds Sade-esque 'Just Like That' - Stevie Wonder The others like Love Letter and Love Letter Christmas, Lost In Your Love, and Radio Message are all appear to in the mold of R. Kelly with a steppers or motown spin. Of course he did his own penned track for MJ with "You Are Not Alone" a whole lot of justic. Hands down R&B album of the year. Beautiful music from top to bottom (even the bonus songs on the Deluxe version)”

“This album is the ish. It continues to show his range and versatility how he just adapts. Be my #2 has that discoish/funk, exit is very catchy and so is crazy night, elsewhere and religious r beautiful ballads. Go low, whole lotta kisses, pregnant and echo r sexy tunes. Like I do will take some time to grow on me but only dream comparison is based on the production. Text me is super tight and simple and I love the dj techno-ish/house vibe is great. Supaman high is a club banger courtesy of his second verse”

“Man so of these 50 cent dykk ryders are on it hard. Giving it a low rating just to bring it down. Hilarious and sad at the same time! This is his most complete album to date. Port of Miami and Trilla had tracks I could skip. If compared to other albums dropping this year, this may move from a banger to classic.”