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Cherish - The Truth


The Truth
  • Artist: Cherish
  • Title: The Truth
  • Production From: Bryan-Michael Cox, Don Vito, Eric Hudson, Phalon Alexander, Ron "Neff U" Feemster, Rickie Fambro, Tricky Stewart
  • Lead Single: Killa
  • Artist Website
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Cherish - The Truth

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Review by Nathan S.

You want the truth? Do you? You can’t handle the truth! Sorry, I’ve always wanted to write that. Actually, you probably can handle the truth, in fact starting yesterday you can buy it in stores. Cherish, Atlanta’s sultry quartet of singing sisters, otherwise known as the South’s answer to Danity Kane, is back to win over America’s minds and eardrums with their sophomore album The Truth. As we all know, the truth can be a complicated thing, especially in the music industry (just ask Akon). So in honor of Cherish’s boldly titled new album, I thought we’d dedicate today’s review to shedding some light onto the shadowy world of hype and hate that is the music industry. Come on, would I lie to you?

The Claim: Cherish belongs among some elite company.
The Truth: There’s been talk, some of it from fans and some it from Cherish themselves, that this album will be go down as an R&B classic, that it will place them alongside legendary groups like Destiny’s Child, En Vogue and SWV. Sorry, it’s just not true. Those who would make the En Vogue comparison aren’t exaggerating Cherish’s talent as much as they’re forgetting just how dope En Vogue was, but the honest truth is that Cherish simply doesn’t have the vocal firepower of those legendary girl groups. Take Amnesia, the album’s guitar-driven ballad. Amnesia’s whispering and echoing production doesn’t call for over-the-top vocal acrobatics, but it’s still lacking that heart-stopping emotion that a truly gifted singer, or singers, can provide. Or better yet, just take Love Sick. If ever there was a song that called for some tear-jerking vocal breakdowns it’s Love Sick, but while Cherish teases us with glimpses of their potential, they never deliver the knock-out blow. The girls, excuse me, women, are perfectly decent singers, but they just can’t stand next to the Beyonce’s of the world. 

The Claim: Cherish will never have another hit as big as Do It To It.
The Truth: Sorry to cop out, but it’s just to early to tell if they’ll be able to top Do It To It, their addictively paced breakthrough that dropped at the height of the snap movement’s popularity. It was a “right song at the right time” situation, and Cherish may never be able to recreate its particular chart magic. But that doesn’t mean they’ll never have another big hit; in fact I’ll be surprised if Framed Out doesn’t earn some serious time on the airwaves. Framed Out has everything you want out of a hit single: the beat bounces with addictively layered synths, the subject matter is appropriately light, Cherish brings their brand of girl-friendly style to the vocals, and it doesn’t hurt that The Dream was involved. In other words, it’s exactly the kind of track radio eats up like Fat Joe at a taco stand. By contrast The Truth’s lead single Killa has been on the market for a while with positive, but not overwhelmingly positive results. Killa’s percussion-dense sound and soaring synths was made for the clubs, especially when you throw in a Yung Joc verse, but the have-fun style that makes Cherish unique is ultimately lost amidst all the electronica. Does The Truth have a smash single in it? Maybe, it’s too soon to tell. I know that’s not the most entertaining answer, but it’s the truth.   

The Claim: Cherish is just another disposable girl group.
The Truth: False. Wrong. Lies. While The Truth doesn’t address the essence of life on a deeply philosophical level, Cherish does reveal the inner-workings of their own hearts and minds (which apparently consist almost entirely of clothes and boys). Whether it’s telling the tale of a crush on the guy who lives in your apartment building (Notice), the pressures of looking beautiful (Superstar) or the final torturous moments of a relationship gone wrong (Like A Drum), this is an album that isn’t afraid to drop the rich and famous routine and relate to their fan’s everyday lives. That means that how you feel about Cherish’s brand of r&b depends largely on if their truth is also yours, if you recognize elements of your own life in their constantly layered harmonies. Me? Not so much (considering I’m a white guy in my 20’s), but that doesn’t mean Cherish isn’t putting your life, or at least some small part of it, to music. And that, my friends, is the truth, the whole truth, and nothing but the truth. 

DJBooth.net Rating:

Spin  Spin  Spin
3 Spins - Average

Nathan S.'s Picks

Notice
Like A Drum


Ready for Radio

I Ain’t Trippin
Amnesia


Mixtape Ready

Before You Were My Man
Only One




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Dj T-NDER
DJ Booth Member

 
Total Ratings: 68
Rating:  43211        Dj T-NDER's Top Rated Songs

I Love It!Killa was a monster hit and the fact that this song been in step up 2 was a good promotion.It's also a good album too.Ain't Tripin..Luv It

Posted on May 14, 2008

Mike Dreams
Resident DJ

Mike Dreams
Total Ratings: 2075
Rating:  54321        Mike Dreams's Top Rated Songs

<font size="3" color="blue"<B>Young Son’s Album Review of Cherish’s<I>“The Truth</I></B>

<P>

<center><a href="http://s226.photobucket.com/albums/dd316/slam_21/?action=view¤t=33kzv6f.jpg" target="_blank">http://i226.photobucket.com/albums/dd316/slam_21/33kzv6f.jpg</a></center>

<P>

<I>Tuesday, May 13, 2008</I>

<P>

<font style="color: rgb(51, 102, 255);" size="4"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Killa</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Killa, the single we’ve heard already. It’s clearly not the best track on the album, but I will go further into that as I talk about the other tracks. The track has solid production and is perfect for radio play with its synth based background up-tempo instrumental. I felt Yung Joc’s rap feature was mediocre. To me, a more skilled rapper could’ve did this better. I actually wouldn’t have even minded another Wayne verse (for like the 65400303030304th time in the past three years…lol). The highly ignorant and inconsiderate line “My wrist stay flooded like New Orleans” was pretty tasteless. Overall, the vocals from the 4 girls were crispy, but didn’t fully exhibit the vocal ability that we know Cherish possesses from some songs they’ve dropped from their previous album.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>I Ain’t Tripping</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">The production on this track was awesome. On the contrary, I felt the duration of the song and the diversity of verses and change-ups were absent. This was once again a solid joint, but not one that exhibits the vocal talent and ability of the quartet. One plus to the like ability of this track is the catchy potential of the hook.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Amnesia</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">The mellow ballad and guitar strums caught my attention right away. Once again, awesome production is ambient in the track. The first vocalist holds it down. Her flow and delivery is very appealing. The hook, with the extra added background reverb/echo part sets the track off. I really dig the engineering/mix of some of the background ad-libs that are equalized to a sound resembling a phone receiver. </span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Notice</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Once again, the production and engineering/mix on this track is highly incredible. The drum kits are outrageously skilled and perfect for the feel for the track. This track has single potential as well. The synth backed chorus is nicely done and original (wasn’t a carbon copy of Timbaland’s style of it) The lyrics and writing on this is skilled as well. Catchy choruses are always the key to hit songs. This was a success here. Though the track was about three and three-fourths of a minute, it still feels like it ended fairly early. I guess longer duration on this track would have been an added plus for it, but aside from that, it’s near perfect.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Framed Out</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">To me, “Framed Out” almost started like Destiny Child’s 2005 hit “Solider.” From the intro, I actually expected a mediocre cheap production, but it actually turned out pretty great. Lyrical content was nice on the first verse as well “In my True Religion’s (jeans), I so far from pigeon (referencing the parody of TLC’s “No Scrubs” by Sporty Thieves called ‘No Pigeons) The song overall was about purchasing and rocking fresh and fly gear. I didn’t really feel the hit potential of this track as much as the album’s previous joints. The chorus was a bit cheesy and the “Framed Out” was a little unintelligible, taking away from it, should I say “catchy ability”. Overall, the track still is near 100% due to it’s flame production and the catchy potential/swagger of the production itself. </span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Before You Were My Man</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">I have to commend E. Hudson/F. King/N. King on this composition. They really came to the plate on this with the song theme and idea and production. This was also a switch of feelings on the production for me. From the intro, I didn’t expect it to drop and be as flame as it was. The chorus wasn’t as catchy as the previous songs on the album, but it seemed very obvious that this will be a strictly album cut because it focuses more on the lyrical content of the song on this one. It’s a very solid writing job and vocal exhibition of skills by Cherish. I feel they could’ve came a bit stronger vocally though. I know the skills are there, but it seems like they play it safe on this song. The lead vocalist of this joint carried herself vocally and underlying very well. The end of the song reminded me of Usher’s “Confessions” with the talking part. How very carbon copy of them. LOL. </span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Superstar</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Superstar displays an entirely different type of production. It’s a solid ballad feel. I felt the vocal engineering could’ve been better on the track, because the mix seems a tad off and seems a bit weird. The equalizing seems a bit heavy on the choral and background harmonic mix of the background vocalists behind the lead singer. This is definitely a genuine song other than it’s possible production deficiencies that could be improved. It’s maybe not the best choice as a single, but definitely a great album cut. This is certainly a record where Cherish shows more of their skilled vocal ability, compared to other joints where they’ve played it safe or kept it sort of commercial, as far as new R&B goes.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Only One</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">The production on this is also different, just as Superstar’s instrumentation was. I love the reverb on the drum and snares. The reverberation ambiance created is very similar to that of Omarion’s “Ice Box”. The song content sticks along the lines of having only one that is the an intimate lover for them. The harmony mix is very well done. At some parts, it seems to be equalized very sharp, but it comes together well halfway through the track. I can definitely see this as a single from Cherish from this album in the future.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Love Sick</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Love Sick is definitely my favorite record the entire album! The productions starts out semi-dramatic and the lack-luster piano scatter throughout the track that pans from left to right and the fluxuation in volume. It starts out seeming like a song about the girl being sad about her man leaving, but as it continues, you realize it’s a ridicule of the man that she leaves! Absolutely genius and pretty cruel if I would say myself. The writing, production and vocals were sincerely presented, well put together and undeniably on point here. I would say this could be a single, but wouldn’t be mad if it wasn’t. It’s definitely the most solid and consistent track on the album, period.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Damages</B></span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">This song starts out creatively weird. Man, this funny intros! As the track begins, the production serves to be normal. It’s pretty simple compared to some of the more complex digital instrumentation in the previous tracks. The timing actually seems off at some parts and doesn’t flow as well. The vocals are decent on here, but not a standout track at all production wise or vocal wise by Cherish or the producers here. Also, the screwed parts of vocals on here was very amateur on the executive producer and engineer’s part. That could’ve been gone. It totally made the track sound, excuse my inconsideration of mental ill patients, but retarded.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;"><B>Like A Drum</B> </span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Like a Drum is the last track on the album “The Truth”. The production is pretty smooth, with a drum roll “parapumpumpum” type feel. Like…well…a drum…lol..duh. The chorus is very predicable. Though the production is very smooth, this doesn’t seem like a standout track for the album. The vocals were pleasantly performed, though the safe-playing with vocal ranges were exhibited here again. The vocal mix of the ad-lib/harmony parts of the quartet could have definitely been equalized sharper to stand out more. They impart themselves in a muffled manner sonic-wise. Overall, a solid, but not prominent hit potential track.</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Overall, I dub the album a hit. I give it 4 out of 5 stars because of it’s highly skilled and solid production throughout the album. That was very consistent and very purposeful, because on a few tracks that weren’t vocally “outstanding”, it carried the track. Vocally, the quartet brought their A- game I would say. I didn’t hear a ballad/song on here as good as the group’s second single from this debut album “Unappreciated” (the name of the album and also the record I’m referring to), but there are definitely some classics. In conclusion, I believe it’s a solid project that will show people that Cherish has big potential and they are the real deal. In the late 90s and early 2000s, we had Destiny’s Child. Are we looking at the new version? Maybe</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">-Young Son, Twin Cities Hip Hop Artist and Writer</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">http://www.youngsonmusic.com</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">http://theyoungsonblog.info/</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><span style="font-family: Verdana,Arial,Helvetica,sans-serif;">Youngsonmusic@gmail.com</span><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"><br style="font-family: Verdana,Arial,Helvetica,sans-serif;"></font>

Posted on May 14, 2008

Mike Dreams
Resident DJ

Mike Dreams
Total Ratings: 2075
Rating:  54321        Mike Dreams's Top Rated Songs

Killa

Killa, the single we’ve heard already. It’s clearly not the best track on the album, but I will go further into that as I talk about the other tracks. The track has solid production and is perfect for radio play with its synth based background up-tempo instrumental. I felt Yung Joc’s rap feature was mediocre. To me, a more skilled rapper could’ve did this better. I actually wouldn’t have even minded another Wayne verse (for like the 65400303030304th time in the past three years…lol). The highly ignorant and inconsiderate line “My wrist stay flooded like New Orleans” was pretty tasteless. Overall, the vocals from the 4 girls were crispy, but didn’t fully exhibit the vocal ability that we know Cherish possesses from some songs they’ve dropped from their previous album.

I Ain’t Tripping

The production on this track was awesome. On the contrary, I felt the duration of the song and the diversity of verses and change-ups were absent. This was once again a solid joint, but not one that exhibits the vocal talent and ability of the quartet. One plus to the like ability of this track is the catchy potential of the hook.

Amnesia

The mellow ballad and guitar strums caught my attention right away. Once again, awesome production is ambient in the track. The first vocalist holds it down. Her flow and delivery is very appealing. The hook, with the extra added background reverb/echo part sets the track off. I really dig the engineering/mix of some of the background ad-libs that are equalized to a sound resembling a phone receiver.

Notice

Once again, the production and engineering/mix on this track is highly incredible. The drum kits are outrageously skilled and perfect for the feel for the track. This track has single potential as well. The synth backed chorus is nicely done and original (wasn’t a carbon copy of Timbaland’s style of it) The lyrics and writing on this is skilled as well. Catchy choruses are always the key to hit songs. This was a success here. Though the track was about three and three-fourths of a minute, it still feels like it ended fairly early. I guess longer duration on this track would have been an added plus for it, but aside from that, it’s near perfect.

Framed Out

To me, “Framed Out” almost started like Destiny Child’s 2005 hit “Solider.” From the intro, I actually expected a mediocre cheap production, but it actually turned out pretty great. Lyrical content was nice on the first verse as well “In my True Religion’s (jeans), I so far from pigeon (referencing the parody of TLC’s “No Scrubs” by Sporty Thieves called ‘No Pigeons) The song overall was about purchasing and rocking fresh and fly gear. I didn’t really feel the hit potential of this track as much as the album’s previous joints. The chorus was a bit cheesy and the “Framed Out” was a little unintelligible, taking away from it, should I say “catchy ability”. Overall, the track still is near 100% due to it’s flame production and the catchy potential/swagger of the production itself.

Before You Were My Man

I have to commend E. Hudson/F. King/N. King on this composition. They really came to the plate on this with the song theme and idea and production. This was also a switch of feelings on the production for me. From the intro, I didn’t expect it to drop and be as flame as it was. The chorus wasn’t as catchy as the previous songs on the album, but it seemed very obvious that this will be a strictly album cut because it focuses more on the lyrical content of the song on this one. It’s a very solid writing job and vocal exhibition of skills by Cherish. I feel they could’ve came a bit stronger vocally though. I know the skills are there, but it seems like they play it safe on this song. The lead vocalist of this joint carried herself vocally and underlying very well. The end of the song reminded me of Usher’s “Confessions” with the talking part. How very carbon copy of them. LOL.

Superstar

Superstar displays an entirely different type of production. It’s a solid ballad feel. I felt the vocal engineering could’ve been better on the track, because the mix seems a tad off and seems a bit weird. The equalizing seems a bit heavy on the choral and background harmonic mix of the background vocalists behind the lead singer. This is definitely a genuine song other than it’s possible production deficiencies that could be improved. It’s maybe not the best choice as a single, but definitely a great album cut. This is certainly a record where Cherish shows more of their skilled vocal ability, compared to other joints where they’ve played it safe or kept it sort of commercial, as far as new R&B goes.

Only One

The production on this is also different, just as Superstar’s instrumentation was. I love the reverb on the drum and snares. The reverberation ambiance created is very similar to that of Omarion’s “Ice Box”. The song content sticks along the lines of having only one that is the an intimate lover for them. The harmony mix is very well done. At some parts, it seems to be equalized very sharp, but it comes together well halfway through the track. I can definitely see this as a single from Cherish from this album in the future.

Love Sick

Love Sick is definitely my favorite record the entire album! The productions starts out semi-dramatic and the lack-luster piano scatter throughout the track that pans from left to right and the fluxuation in volume. It starts out seeming like a song about the girl being sad about her man leaving, but as it continues, you realize it’s a ridicule of the man that she leaves! Absolutely genius and pretty cruel if I would say myself. The writing, production and vocals were sincerely presented, well put together and undeniably on point here. I would say this could be a single, but wouldn’t be mad if it wasn’t. It’s definitely the most solid and consistent track on the album, period.

Damages

This song starts out creatively weird. Man, this funny intros! As the track begins, the production serves to be normal. It’s pretty simple compared to some of the more complex digital instrumentation in the previous tracks. The timing actually seems off at some parts and doesn’t flow as well. The vocals are decent on here, but not a standout track at all production wise or vocal wise by Cherish or the producers here. Also, the screwed parts of vocals on here was very amateur on the executive producer and engineer’s part. That could’ve been gone. It totally made the track sound, excuse my inconsideration of mental ill patients, but retarded.

Like A Drum

Like a Drum is the last track on the album “The Truth”. The production is pretty smooth, with a drum roll “parapumpumpum” type feel. Like…well…a drum…lol..duh. The chorus is very predicable. Though the production is very smooth, this doesn’t seem like a standout track for the album. The vocals were pleasantly performed, though the safe-playing with vocal ranges were exhibited here again. The vocal mix of the ad-lib/harmony parts of the quartet could have definitely been equalized sharper to stand out more. They impart themselves in a muffled manner sonic-wise. Overall, a solid, but not prominent hit potential track.

Overall, I dub the album a hit. I give it 4 out of 5 stars because of it’s highly skilled and solid production throughout the album. That was very consistent and very purposeful, because on a few tracks that weren’t vocally “outstanding”, it carried the track. Vocally, the quartet brought their A- game I would say. I didn’t hear a ballad/song on here as good as the group’s second single from this debut album “Unappreciated” (the name of the album and also the record I’m referring to), but there are definitely some classics. In conclusion, I believe it’s a solid project that will show people that Cherish has big potential and they are the real deal. In the late 90s and early 2000s, we had Destiny’s Child. Are we looking at the new version? Maybe


-Young Son, Twin Cities Hip Hop Artist and Writer

http://www.youngsonmusic.com

http://theyoungsonblog.info/

Youngsonmusic@gmail.com

Posted on May 14, 2008

Nathan S.
DJ Booth Crew

Nathan S.
Total Ratings: 427
Good lord Michael Hannah, that might be the longest comment I've ever seen. You and I are going to have to throw down an album review battle :)


Posted on May 20, 2008

'baby skuxx'
DJ Booth Member

 
Total Ratings: 2
Rating:  43211        'baby skuxx''s Top Rated Songs

ohhh myyy gawsh all new zealanders loving that killa song !!!!!!!!!!!
...:]

Posted on May 20, 2008

fdiva92
DJ Booth Member

fdiva92
Total Ratings: 19
Rating:  43211        fdiva92's Top Rated Songs

I have a lot of faith in this group and I love their last album. I agree with him on the fact that they are missing that extra something that could take them to the next level. If they don't find it soon they'll be gone!

Posted on May 21, 2008

WyteBoi
DJ Booth Member

 
Total Ratings: 49
Rating:  32121        WyteBoi's Top Rated Songs

when they officially stepped on the scene in 05-06, you could go anywhere in Louisville, and the only thing you would hear is Sean P's voice spitting lyrics to the coldest clubbanger out. this album is about the same. yung joc made his appearance on "Killa", which is the sophomore equivalent to "Do It, Do It" this @*#$! won't dissapoint

Posted on May 23, 2008

bust_it_baby_26
DJ Booth Member

 
Total Ratings: 4
fdiva92 u iz ugly

Posted on May 29, 2008

sexyest gurl
DJ Booth Member

sexyest gurl
Total Ratings: 1
Rating:  54321        sexyest gurl's Top Rated Songs

the cd is hot i love the song "Amnesia"

Posted on Jun 02, 2008

DAT CUTI3 DIMPL3S!
DJ Booth Member

 
Total Ratings: 4
Rating:  21321        DAT CUTI3 DIMPL3S!'s Top Rated Songs

I LIK3D TH3 CD I STILL THINK UNAPPRECIATED WAS B3TT3R BUT AMNESIA, NOTICE, KILLA, & ONLY ONE WAS HOT ON THIS ALBUM!!!

Posted on Jul 01, 2008

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Total Ratings: 123
Rating:  43211        Exclusive's Top Rated Songs

no comment michealhannah said it all for me and then some lol

Posted on Jul 02, 2008

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